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Godincultus

17 april 2019

Venus is geen Vamp – Het Vrouwbeeld in 35.000 Jaar Venuskunst

Door Annine van der Meer.

456 Pages | Uitgegeven in 2009 | Softcover | Academie PanSophia i.s.m. A3 Boeken, Geesteren | ISBN: 9789077408674.

In dit boek maakt Annine van der Meer een einde aan het geseksualiseerde, gedemoniseerde en patriarchale beeld van de Oervrouw. Ze rekent af met het vrouwloze beeld van de prehistorie, zoals de Vaderlandse geschiedenis ons voorschotelt. Als een ware pionier brengt Annine van der Meer orde in de chaos van de Venuskunst, de sacrale voorchristelijke vrouwelijke kunst, die te maken heeft met leven, dood en wedergeboorte. En dan blijkt, dat er geen sprake is van chaos, maar van een coherente symbooltaal, die universeel en mondiaal is. Dat vrouwelijke kunst – in tegenstelling tot mannelijke kunst – in grote hoeveelheden is vervaardigd volgens een uniform standaardmodel, dat over vele millennia is overgeleverd. Het bewijs wordt geleverd dat vrouwelijkheid gerespecteerd is en centraal geeft gestaan zonder daarbij de balans met het mannelijke in de oude egalitaire samenlevingen te verstoren.

Dit boek bestaat uit twee delen. In deel I brengt de schrijfster de Venuskunst in kaart met een typologie en classificatie van soorten en stijlen. Varianten en lichaamshoudingen plaatst ze in een chronologisch kader tegen de achtergrond van een complexer wordende samenleving. De kunst spiegelt de natuur en de man-vrouwverhouding in die cultuur. Over de hele linie laat Venuskunst een verharding en militarisering van de samenleving zien, waarin de positie van de vrouw en dus het vrouwbeeld verslechtert.

  • DEEL 1: behandelt de periode 35.000 – 10.000 v. Chr. – vanaf het moment dat de vroeg-moderne mens zich in Europa verspreidt tot het moment dat de laatste ijstijd afloopt en de overgang van jagen en voedselverzamelen naar landbouw inzet.
  • DEEL 2: behandelt de verschillende thema’s en de bijbehorende symbolen per cultuur en chronologisch vanaf 10.000 v. Chr. tot het jaar o. De thema’s zijn: Venus’ vormen en getallen. haar lievelingsplekken, haar partnerdieren, haar geliefde bomen en planten, haar opvallendste lichaamsdelen, haar favoriete kleding, hoofdtooi en uitrusting, en haar kenmerkende lichaamshoudingen. Tot slot is er aandacht voor Maria, die veel van Venus’ symbooltaal meeneemt naar de christelijke periode.

Afkomstig uit Hoofdstuk 6: ‘Haar favoriete Kleding, Hoofdtooi en Uitrusting’ (blz. 355):

CYPRUS

” Cyprus is het eiland van Aphrodite. Hier is door de eeuwen heen zo veel vrouwelijke kunst gevonden, dat het modebeeld zich goed laat volgen. Aan de basis ligt een oeroude natuurreligie en vruchtbaarheidscultus rond de Anassa of de soevereine, die vanaf 3.000 aantoonbaar in de kunst aanwezig is. Zij leeft voort in volksverhalen als de Righena (van het Latijnse ‘regina’ of koningin). Er wordt verhaald dat zij in velden, grotten, bronnen en bergen leeft. Het liefst verblijft zij in afgelegen grotten hoog in de bergen. Zij is liefdevol, maar kan ook wreed zijn; ook naar haar minnaar toe. Zij ondergaat Oosterse invloeden uit Egypte en Klein-Azië. Een hele tijd loopt zij naar goed oud-Oosters gebruik naakt of in doorschijnende kleding. Vanaf de 12de en 11de eeuw bereiken de Kretenzers en Grieken het eiland; ze vermengen zich met de inheemse bevolking. Nu ‘vergriekst’ de Anassa tot de Griekse godin, die later Aphrodite wordt genoemd. “

Auteur: Van der Meer, A.
ISBN: 9789077408674
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On the Wings of Shekhinah – Rediscovering Judaism’s Divine Feminine

By Rabbi Leah Novick.

210 Pages | First Quest Edition 2008 | Softcover | Quest Books U.S.A. | ISBN: 9780835608619.

Denied and suppressed for thousands of years, the Divine Feminine returns at a time when the breakdown of traditional belief leaves us desperate for love, for security, for protection, for wisdom, for meaning. It leaves us yearning for a nurturing and cultivation of our whole being, that we might be adequate stewards of the coming planetary civilization.

Luminous and astute, this invaluable resource follows the journey of the Shekhinah through Jewish Scripture, Midrash, and Kabbalah, concluding with her rise among Jewish feminists, who understand that the Feminine Face of God is necessary to the health both of soul and world. Author Rabbi Novick also offers profound visualizations to help us connect personally with the Shekhinah. At the heart of the Mystery, we discover Shekhinah as our hope, our beckoning evolutionairy vision, and our point of contact with the spiritual genius, that resides within each of us.

From Chapter 11 – ‘Contemporary Jewish Feminism and the Return of Shekhinah (p. 129):

” If we could take flight on the wings of Shekhinah, here is what we might see. Flying over the majority of synagogues of North America, we would see women rabbis and cantors lead prayers. We would notice that they, and some women in their congregations, are wearing ‘tallitot’ (prayer shawls) and ‘kippot’ (skullcaps), although more likely in colors and designs, that reflect the feminine. We would see women and girls standing on the ‘bimah’ (pulpit) reading from the Torah, as part of Shabbat services or bat mitzvah ceremonies in Conservative, Reform, Reconstructionist, and Renewal congregations. 

We would hear women teachers of Thorah, brilliant exegetes explaining holy texts, embodying what it means to be part of the generations of sages. We would encounter female trustees on synagogue boards and serving as presidents of congregations. Refreshments for the ‘oneg’ (socials after services) might be provided by men or families as opposed to the all-female cooking, baking, and hospitality roles of the past. In effect, the presence of women in leadership of Jewish communal life suggests, that our access to Shekhinah formerly connected with spiritual teachings and literature, has become apparent through women and girls calling the Divine Feminine back to earth. Perhaps this trend can be regarded as an extension of the teachings of the great Chasidic master Dov Baer, the Maggid of Mezeritch, who urged his followers to pray for the return of Shekhinah to our planet. “

 

Auteur: Novick, R.L.
ISBN: 9780835608619
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Lalitā Sahasranāma with Bhāskararāya’s Commentary

By Bhāskararāya (1690–1785), general editor K. Kunjunni Raya. hon. director. Translated into English by R. Ananthakrishna Sastry.

402 Pages | 6th Reprint 1988, 1st edition 1899 (T.P.H. ed.); Adyar Library General Series, Volume 11 | Hardcover | The Adyar Library & Research Center | ISBN: 8185141037.

The Lalitā Sahasranāma is a sacred text to Hindu worshippers of the Goddess Lalitā Devi, also called Tripurāsundarī or the Divine Mother. It contains the 1000 names of Lalitā organized in hymns (stotras) and represents the only sahasranāma not repeating a single NameLalitā translates etymologically as She Who Plays. Sahasranāma is a Sanskrit term, which means A 1000 Names. Bhāskararāya extensively highlights Name 1 – 1000 in this magnificent work. At the end, a Sanskrit compendium of the Lalitā Sahasranāma is enclosed.

Bhāskararāya is widely considered an authority on all questions pertaining to the worship of the Mother Goddess in Hinduism. The worship of Shakti involves many hidden meanings of mantras and coded passages. It is said that these meanings were revealed to Bhāskararāya by the Goddess Herself.

Auteur: Bhāskararāya
ISBN: 8185141037
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The Language of MA – The Primal Mother: The Evolution of the Female Image in 40,000 Years of Global Venus Art

By Dr. Annine van der Meer.

587 Pages | Published in 2013 | Softcover | Uitgeverij A3 Boeken | ISBN: 9789082031300.

This is the first pioneering study of global ‘Venuses’, who are part of an ancient and contemporary art traditionally called ‘Venus Art’ – the Art of Primal Mother(s), the Art of the female ancestors. Venus Art reflects the consciousness of egalitarian societies of peace, in which women and feminine values play or have played a central role, in which MA or the MATER or MOTHER and the primal mothers of the clan are central.

To date Venus Art has been understood, neglected and not integrally researched. The Art has become eroticised and sexualised. The purpose of this book is to rehabilitate Venus Art with Venus seen and honored as manifestation of the divine Mother MA.

From Chapter 2 – ‘The Book in a Nutshell’ (p. 15):

” Part 1 consists of eight chapters, part 2 the same. This is no coincidence. Three and four make seven. Seven plus one makes eight. In eight begins a new octave, a new time, a new mankind. In the lemniscate of the eight. the independent feminine and masculine come together in perfect balance. By bringing the forgotten feminine into the picture, balance and connection is created with the masculine. Unity. “

 

 

Auteur: Van der Meer, A.
ISBN: 9789082031300
Additional DescriptionMore Details

Remember MA • Welcome a new art historical approach that defi nitively maps the contribution of woman to evolution and brings to an end a male world history without women. • Remember the primal mothers, who much later were called ‘Venuses’ and sometimes pin-ups. This book rehabilitates them as the first leaders of humanity. • Learn about a global feminine system of symbols that shows an astonishing consistency and coherency. • Witness how prehistoric cultures produced much more feminine art than masculine art. • Understand why the feminine was pictured so often in old and modern female-friendly societies of peace and balance. • Learn to discern an ancient primal mother from a later goddess, priestess and worshipper. • See how a male system of symbols is laid over the older feminine system of symbols; now the female image is devalued and the world is changed in a valley of tears. • Meet the lost Lady of Old Israel in images and texts and see how she is transculturally transformed into Mary, the Lady of all Nations in Christianity. Dr Annine E.G. van der Meer (1953) is a Dutch historian of religion and holds a PhD in theology from the University of Utrecht. She is the author of several books. She has travelled widely to retrace the universal hidden Mother in sacred texts, art and symbols. She is founder and president of the Dutch PanSophia Academy, school of Wisdom, where she also teaches. In July 2010 33 women of international standing in their particular fields were honoured in the ‘Manifest Female Energy’. Annine van der Meer was one of six Dutch women to be decorated. According to the manifest, they have contributed to transformation processes in the world; a new world, in which feminine and masculine energies mutually inspire each other and are growing towards a new, powerful and creative world order.

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Sophia – Goddess of Wisdom, Bride of God

By Caitlin Matthews.

430 Pages | First Quest Edition 2001, third printing 2009 | Quest Books, U.S.A. | ISBN: 9780835608015.

Sophia, or ‘Wisdom’ in Greek, has been revered in many forms throughout history. From the Dark Goddess of ancient Anatolia; to her Egyptian, Greek, Celtic, and Cabalistic manifestations; to her current forms as Mary and the orthodox St. Sophia. In the Gnostic Gospel of Thomas, Sophia sits with God until the creation. Then She falls into matter and becomes manifest in every atom, permeating all things ‘like the sparks that run through charcoal’, as Matthews says. While God is out there,” the Goddess is in here: the mother-wit of practical inspiration and compassion at the heart’s core.

‘ Anyone interested in the feminine face of God throughout the ages will find Sophia an illuminating experience. Caitlin Matthews’ scholarship connects us to past, present, and future in the very depths of our femininity. ‘  – Marion Woodman, Jungian analyst and author of Bone: Dying into Life.

From Chapter 1 – ‘The Black Goddess’ (p. 6):

 ” The Black Goddess lies at the heart of spiritual knowledge, which is why her image continually appears within many traditions as the Veiled Goddess, the Black Virgin, the Outcast Daughter, the Wailing Widom, the Dark Woman of Knowledge. Our own search for the Goddess is one, that is begun in darkness and unknowing. Ours is the knowing ignorance of the child in the mother’s womb: we have to be born, and we are frightened of the extra womb dimension. Once out of that womb, we begin to be terrified about our origins. But one of the prophecies of Sophia is: ‘I will give thee the treasures of darkness and hidden riches of secret places. ‘ Those treasures of the Divine Feminine liep deep within us, waiting to be discovered . . . “

 

 

auteur: Matthews, C.
ISBN: 9780835608015
Additional DescriptionMore Details

This definitive work comprehensively establishes a realistic Goddess theology for Westerners in the twenty-first century: – grounding spirituality in daily life and the natural world – learning to work playfully and play seriously – ending the gender war to enjoy sacred marriage Caitlin Matthews is a world-celebrated teacher of Western spirituality and author of over thirty books. With her husband and frequent coauthor John Matthews, she founded the Foundation of Inspirational and Oracular Studies, in their native Great Britain.

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